Donnerstag, 30. August 2012

73 Years In Comics Part III: Reformation & Counter-Reformation


by Denis Hundhausen

Please note: This is part 3 of 3, dealing with the years 1993-2012. Part One can be found here, Part Two here. A german version is to follow.



Age of Reformation

1993:
Kurt Busiek and Alex Ross take a look at the Marvel Universe through everyman’s eyes, creating a very intimate comic called Marvels[1], while Harry Osborn manages to redeem himself from his deeds as Green Goblin and dies in Spider-Man’s presence, promising him to always be his friend[2] – events that influenced Sam Raimi’s last Spider-Man movie.
Meanwhile, after releasing every inmate of the Arkham Asylum and discovering his secret identity, the charismatic super villain Bane brakes Batman mentally as well as physically in the events of Knightfall[3]– later mirrored in Christopher Nolan’s 2012 movie Dark Knight Rises.


1994:
In the aftermath of Superman’s death (s. 1992), a Superman-replica named The Terminator destroys Coast City. In a neverseen twist, Hal Jordan (one of DC’s a-list heroes: Green Lantern) falls deep into madness after this massacre and kills off the whole Green lantern Corps including the guardians, making place for a whole new era of Green Lantern comics[4]. Thus leading to the events of Zero Hour[5]. In the events following, Kyle Rayner became the universe’s last Green Lantern[6].
DC’s imprint Vertigo publishes the first issue of the acclaimed Invisibles[7].

1995:
Marvel tries to establish Ben Reilly as new Spider-Man[8]. After previous events, Peter Parker is led to believe that he is just a clone and that Reilly is in fact the original Peter Parker. Since his wife, Mary-Jane, is pregnant, he gives up his identity as Spider-Man and leaves Reilly with his alias.

1996:
Back in 1996, Mark Waid and Alex Ross teamed-up to deliver one of the darkest, most apocalyptic visions of the future for the DC Universe – Kingdom Come tells the tale of the end of the superhumans[9].
Meanwhile, Jeph Loeb & Tim Sale create one of the best received Batman miniseries with The Long Halloween[10].
In December 1996 many writers and nearly every living artist who ever worked on Superman[11] worked on Clark’s and Lois’ marriage comic[12], where Clark and Lois finally marry.
Meanwhile, the long running Clone Saga comes to an end, marking the return of Norman Osborn, the death of Ben Reilly and Peter Parker’s return as Spider-Man[13].
Marvel then outsources the publishing rights of The Avengers, the Fantastic Four, Captain America and Iron Man to different companies and creatives such as Jim Lee and Rob Liefeld to revamp these characters – in-continuity this is explained during the events of Heroes: Reborn[14].

1997:
JLA #1 by Howard Port and John Dell.

Grant Morrison & Howard Porter revamp the JLA franchise, using only DC’s A-List heroes such as Superman, Batman and Wonder Woman[15].
Shortly after, DC treis a new approach to its most iconic character, when Superman gains new powers along with a new costume[16].

1998:
Jeph Loeb & Tim Sale team up again to create Superman For All Seasons[17]. DC then makes a serious buisness decision by buying WildStorm Comics from Jim Lee.
Menawhile, the oursourced heroes from Heroes: Reborn return to their original publisher as Marvel strats each of their respective series with an #1 (now being the third volume of each title)[18].

1999:
Among the first Wildstorm-titles was Alan Moore’s & Kevin O’Neill’s team-up of various famous characters from classics of world literature, such as Mina Murray, Allan Quartermain and Mr. Jekyll etc. to fight a common foe. The League of Extraordinary Gentlemen[19] is born.
Other famous serieses launched where The Authority (Warren Ellis & Bryan Hitch), The Planetary (Warren Ellis & John Cassaday) and America’s Best Comics, specifically designed for Alan Moore.

2000:
To modernise their heroes, Marvel launches a project that begins as an experiment and becomes a huge success: the Ultimate Universe[20] (UU). An alternate timeline in which their flagship heroes were stripped of their huge backstorys and started fresh, created for the new millenium. High achieving artists such as Mark Millar, Brian Michael Bendis, Bryan Hitch, Adam and Andy Kubert et al. were responsible for gritty, political, timely stories, which modern readers felt connected to.

2001:
Frank Miller and his wife, Lynn Varley, as colorist, create the sequel to Miller’s approach of Batman’s future: In The Dark Knight Strikes Again[21]. Miller shows what happend to the Batman after the events of “Dark Knight Returns”, eventough the impact and the artistic depth were much smaller than those of the 1986-prequel.

2002:
Spider-Man: Blue #5 by Tim Sale.
Alan Moore & Kevin O’Neill produce the second volume of The League of Extraordinary Gentlemen[22], marking Moore’s last work for DC Comics, while Jeph Loeb & Jim Lee produce one of the year’s most anticipated sagas: Hush[23].
Loeb also colaborates with Tim Sale once again to create the acclaimed retro story of Peter Parker and Gwen Stacy in Spider-Man: Blue[24].

2003:
As part of Marvel’s Tsunami imprint with aimed at younger readers, Brian K. Vaughan & Adrian Alphona create the Runaways[25]. This year’s September features the team-up not only of comic all-star team Kurt Busiek & George Perez but also of the JLA and the Avengers in an epic crossover[26], marking their first in-continuity meeting ever.

Comic’s Counter-Reformation

2004:
TV author and fan favourite Joss Whedon gets to write a new X-series especially launched for him: The Astonishing X-Men[27] – it ran for 24 issues and won an Eisner Award in 2006.
Meanwhile, DC initiates the return of Silver Age Hero Hal Jordan[28] (s. 1994), while DC’s WildStorm imprint publishes Ex Machina[29], despicting the stories of the first superhero that runs for the mayor’s office of New York City.
In Sins Past it is revealed that Gwen Stacy (s. 1974) and Norman Osborn fathered two children, a boy and a girl, while Gwen was in Europe[30].

2005:
DC’s Infinite Crisis was not that well received, but triggered a lot of events in the DC Universe, such as the reduction of the amount of Multiverses to 52[31].
The Marvel Universe gets reshaped during the events of House of M[32], which leaves Marvel’s mutant population heavily decimated.

2006:
In an alternate universe, All-Star Superman[33] reinvents the myth of Superman with so much nostalgia and impetus that it ranked among the best comics of the year in almost every list.
Captain America (vol. 5) #25 by Ed McGuiness.
Meanwhile Marvel unleashes the Civil War[34] over its heroes, working with the premise that the Government forces the superheroes to registrate legally in order to preserve their activities as masked vigilantes. Ultimately, this leads to the demasking of Spider-Man to a wide public and the death of Captain America[35].
Marvel’s Icon imprint publishes Criminal[36].

2007:
No recent story has received so much echo (mostly negative) amongst critics and fans as One More Day[37]: In this story arc, Peter Parker tries to save the life of his Aunt May, who is suffering from a gun wound, and blames himself for her condition (the bullet was meant for him). However, all his attempts fail, thus leaving one last opportunity: A deal with Mephisto, Marvel’s equivalent of the devil or somesuch. He offers to heal Aunt May, if Spider-Man is willing to sacrifice his marriage to Mary-Jane. She is ultimately the one to take this offer, Aunt May survives, and their marriage is revoked from everyone’s memory. This arc was clearly a publisher’s decision, to set Spider-Man back to a state where he is neither married nor in a relationship, in order to approach a younger audience who couldn’t relate to a married Peter Parker. However negatively received, this story still had a huge impact on the Spider-Man comics as well as certain other recent Marvel events, retconning not only the marriage, but also Harry Osborns fate (who now never died) and the revelation of Spider-Man’s secret identity to the public.

2008:
Kick-Ass #1 by John Romita Jr.
In one of the most complex Batman runs ever told, Grant Morrison and various artists kill Bruce Wayne, or at least make it look like that: Batman: R.I.P.[38] - these events where interwoven with this year’s summer crossover Final Crisis[39].
Also: Big changes in Marvel’s Ultimate Universe: The crossover Ultimatum[40] changed the UU lastingly.
Under the Icon Comics imprint, Ed Brubaker & Sean Phillips create Incognito and Mark Millar & John Romita Jr. Kick-Ass, eventually being made into a movie.

2009:
The events leading to the return of Barry Allen, the second Flash, as seen in the pages of Final Crisis (s. above), are explained in detail[41]. This year’s crossover Blackest Night[42] brings back the dead in more than one way. While various fallen friends and foes rise from there graves to fight the heroes, the Blackest Night ends with twelve previous dead heroes and villains being resurrected (among them Martian Manhunter, Hawkman and Maxwell Lord).

2010:
Following last year’s events, the crossover Brightest Day explains why those twelve individuals were ressurection: each has an assignment which he needs to fulfill.
Mark Millar creates Superior with Lenil Yu and Kick-Ass 2 with John Romita Jr. for Marvel’s Icon Comics.


2011:
The summer event Flashpoint[43] ultimately leads to a relaunch of DCs whole comic universe – The New 52[44]. They start with publishing fiftytwo new titles, all beginning with a #1, leaving (almost) nothing as it was. As of August 2012, the impact of this relaunch cannot be measured yet, but the move itself is bold.
Also in 2011, Peter Parker died. Not the classic one, but the ultimate Peter Parker from Marvel’s Ultimate Universe[45]. Creatives and publishers both promise, that his death will be permanent and also immediately came up with a succesor: Miles Morales[46], a teenager with Latino and African-American heritage.

2012:
The event with the most public attention in 2012 so far is without a doubt the gay marriage between superhero Northstar and his long-time boyfriend[47]. This reacts to the Marriage Equality Act, finally allowing couples of the same sex to marry in the state of New York. The comic led to huge praises, but, unfortunately, to protests as well.
Also: When the Avengers fight the X-Men[48], this will eventually lead to Marvel NOW!, a fresh coat of paint for the Martvel Universe (though not a reboot)[49].

(Written in August of 2012.)

Sources

[1] Marvels#1-4 by Kurt Busiek & Alex Ross.
[2] The Spectacular Spider-Man #200 by J.M. DeMatteis & Sal Buscema.
[3] Bane brakes Batmans back in the iconic Batman #497 by Doug Moench & Jim Aparo.
[4] Green Lantern (vol. 3) #48-50: “Emerald Twilight”, Ron Marz & various artists
[5] Zero Hour #4-0 (not a typo, they really counted the issue numbers backwards to create a countdown-effect) by Dan Jurgens.
[6] Green Lantern (vol. 3) # 48 by Ron Marz & Bill Willingham.
[7] The Invisibles #1 by Grant Morrison & Steve Yeowell
[8] Sensational Spider-Man #0 by Dan Jurgens.
[9] KingdomCome #1-4 by Mark Waid & Alex Ross.
[10] Batman:Long Halloween #1-13 by Jeph Loeb & Tim Sale.
[12] Superman: The Wedding Album – see link for full artist credits.
[13] Spider-Man #75 by Howard Mackie & John Romita Jr.
[14] This is title is an umbrella term. The single issues and creative teams can be found here: http://marvel.wikia.com/Heroes_Reborn
[15] JLA #1 by Grant Morrison & Howard Porter.
[16] Superman (vol. 2) #123 by Dan Jurgens & Ron Frenz.
[17] SupermanFor All Seasons #1-4 by Jeph Loeb & Tim Sale.
[18] This events were triggered by Heroes Reborn – The Return, starting in 1997, s.  http://marvel.wikia.com/Heroes_Reborn:_The_Return_Vol_1
[19] The League of Extraordinary Gentlemen #1-#6 by Alan Moore & Kevin O’Neill.
[20] UltimateX-Men #1 (Mark Millar & Adam Kubert) and Ultimate Spider-Man #1 (Brian Michael Bendis & Mark Bagley) marked the start of the UU.
[21] The DarkKnight Strikes Again#1-3 by Frank Miller.
[22] The League of Extraordinary Gentlemen Vol. 2 #1-6 by Alan Moore & Kevin O#Neill
[23] Batman #608-619 by Jeph Loeb & Jim Lee
[24] Spider-Man: Blue #1-6 by Jeph Loeb & Tim Sale.
[25] Starting with Runaways #1 by Brian K. Vaughan & Adrian Alphona.
[26] Avengers/JLA #1-4 by Kurt Busiek & George Perez.
[27] Astonishing X-Men (vol. 3) #1 by Joss Whedon & John Cassaday.
[28] Green Lantern: Rebirth #1-6 by Geoff Johns & Ethan Van Sciver.
[29] Ex Machina #1 by Brian K. Vaughan & Tony Harris.
[30] The Amazing Spider-Man #509 by J. Michael Straczynski & Mike Deobato Jr.
[31] InfiniteCrisis #1-7, Geoff Johns & Phil Jimenez et al.
[32] House of M #1-8 by Brian Michael Bendis & Olivier Coipel.
[33] All-StarSuperman #1-12 by Grant Morrison & Frank Quitely.
[34] Civil War #1-7 by Mark Millar & Steve McNiven
[35] In the years to follow, those events where further developed in Captain America (vol.5) #25-42, by Ed Brubaker and various artists.
[36] Criminal#1 by Ed Brubaker & Sean Phillips
[37] Amazing Spider-Man #544, Friendly Neighbourhood Spider-Man #24, Sensational Spider-Man #41 by J. Michael Stracynszki & Joe Quesada:
[38] In: Batman#676-681 by Grant Morrison and various artists.
[39] Final Crisis #1-#7 by Grant Morrison & J.G. Jones Carlos Pacheco and Doug Mahnke among others.
[40] Ultimatum #1-5, Jeph Loeb & David Finch.
[41] Flash: Rebirth by Geoff Johns & Ethan Van Sciver
[42] Blackest Night #1-8 by Geoff Johns & Ethan Van Sciver et al.
[43] Flash: Flashpoint #1-5 by Geoff Johns & Andy Kubert.
[44] The New-52 #1 and many more issues by various writers and artists
[45] UltimateSpider-Man #160 by Brian Michael Bendis & Mark Bagley.
[46] UltimateFallout #4, Brian Michael Bendis, Jonathan Hickman, Nick Spencer & Sarah Pichelli.
[47] Astonishing X-Men #51 by Marjorie Liu & Mike Perkins.
[48] Avengers Vs. X-Men by Brian Michael Bendis & John Romita Jr., among others

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